Two Mirrors. Switzerland 2002
A very fine student I have been tutoring a little produced an excellent array of night images I had the pleasure to view in print form. The prints were many and simply stuck on a wall, some were big and some were small. A discussion developed with several other tutors a little concerned at the sheer volume of work and the lack of direction;
Why so many prints, why are they not at eye level, why are there different sizes, and all that jazz. But what I seen was very different. What I seen was the beginning of my Night Vision series. Images made with no formal direction, just an instinctual need to make long exposures.
Anyone who has made long exposures at night will be aware of just how addictive it can be and as I have mentioned here before the longer you spend on an image (my theory) the longer you look at it afterwards and there is a connection to the photograph you just don't get with a 'snap'.
It was a delight to walk into a room full of night time color which took me right back to my first show in Paris; Night Vision, Intimacies of an Unblinking Eye back in 2003.
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