27.2.10

Andrew Moore.



This is why we use large format, this is why we shoot film. If you are wondering how one achieves such depth, clarity and colour saturation, this is how, and you may now realize why people lugg around gigantic cameras....
An epic body of work with the Detroit series being my favourite.
That Dali-esk clock made me spill my Coco Pops.
See the rest here.

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